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Completely Analogue in Operation: Mark Roberts considers ‘The Microscope...
The Microscope Project ran from 26 July to 21 September at the Flinders University City Gallery. The Following article isn’t a review of the exhibition rather it is a response to two publications...
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‘Solfeggio’– Sheila Murphy
Solfeggio – Sheila Murphy. Hand-drawn ink drawing treated digitally Sheila Murphy is the featured artist for Issue 13 ————————————————————————————— . . Rochford Street Review relies on the support of...
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‘Motion Juncture’– Sheila Murphy.
Motion Juncture by Sheila Murphy. Ink drawing on paper, treated digitally. Sheila Murphy is the featured artist for Issue 13 Sheila Murphy was reared in the community of the University of Notre Dame,...
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The Doing is the Discovery and the Discovery is the Making: Sheila Murphy...
Sheila Murphy has been Rochford Street Review’s first feature artist and her work has been highlighted throughout Issue 13. A brief biographical note accompanies her final work in the issue ‘Motion...
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Rich, Rewarding & Complex : Mark Roberts Reviews Aleks Danko ‘My Fellow...
Aleks Danko My Fellow Aus-Tra-Aliens at the Museum of Contemporary Art until 18th October and the Heide Museum of Modern Art Melbourne 17th November 2015 to 21st February 2016. Curated by Glenn Barkley...
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‘Rodeo Days’ a video poem by Marie Craven
Video, voice, words: Marie Craven Music: Paul Foster Rodeo Days is about my Australian ancestry and identity, employing archival footage of 20th century rural life, given vibrant expression in a...
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Pete Spence: 2 Postcards (3 & 4)
. ———————————————— Pete Spence is 75 and going strong. . .
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Pete Spence: 2 Postcards (5 & 6)
. ———————————————— Pete Spence is 75 and going strong. . .
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Pete Spence: 2 Postcards (7 & 8)
. ———————————————— Pete Spence is 75 and going strong. . .
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